IPTVision > 2007 Will be the Year When Creators Get Paid and Other Views from the Future of Television Forum

http://dmwmedia.com [Digital Media Wire | connecting people & knowledge] During the “Mobile TV: The Next Frontier” panel, Jason Rubinstein, Senior Director, Mobile Video & Gaming Mobile Devices at Motorola remarked that there are a number of problems with formats, copyrights and bandwidth that have to be overcome before video applications will become a main stream application for cell phones in the US.

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http://www.digitaltv-weblog.com [Digitaltv-weblog.com] The Digital TV Weblog: Main Page - IPTV, Video on Demand, Streaming TV: To me these last few months have been interesting as we watch TV networks using broadband video to bypass traditional television distribution providers (local television stations and cable). The Chicago Tribune points out that there also is an open question of whether these owners of content should or should not also bypass the Internet portal sites (Google, MSN, Yahoo).

http://broadstuff.com [Broadstuff.com] broadstuff: Broadstuff is the weblog for the Broadsight team www.broadsight.com .A note on Helen Keegan's Musings of a Mobile Marketeer blog today linking to Alfie's .

http://www.iptvevangelist.com [Iptvevangelist.com] IPTV EVANGELIST: Covering Internet Television Technology, Trends ...: Content creators should focus on a variety of platforms to address their content distribution needs. I can envision the need for a sort of CTO position, call that person a CIPTVO or Chief IPTV Technology Officer, a person who is charged with developing a comprehensive and holistic strategy that best suits their company’s needs specific to IPTV distribution.

[Breakthroo.com] Strategy Consultants & Market Maps: With P2P networks, video ”˜creators/producers’ (that create and fund content) and ”˜packagers’ (that commission and aggregate it) can reach end users directly (with the former disintermediating the entire value web, the later disintermediating ”˜distributors’). But, instead of P2P being framed as an alternative to broadcast TV, it’s really an augmentation, an additional route to market, albeit one with the potential to disrupt an already fragmenting TV viewing constituency, and enable both firms and amateurs to become asset creators/producers/distributors.

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